Сравнение стилей Э.Хэмингуэя и Ф.С.Фитцджеральда

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Лосев А.Ф. Философия. Мифология. Культура / А.Ф. Лосев. - М., 1991. – 527 с.
Маслова В.А. Введение в когнитивную лингвистику: Учебное пособие / В.А. Маслова. – М.: Флинта: Наука, 2004. - 296 с.
Менджерщкая Е.О. Термин «дискурс» в современной зарубежной лингвистике // Лингвокогнитивные проблемы межкультурной коммуникации. - М., 1997. – 354 с.
Пратчетт Терри. Мрачный Жнец. – М., 2010. – 416 с.
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Приложение
Условные обозначения

A. – alliteration – аллитерация
All. – allusion – аллюзия
Apos. – aposiopesis – апозиопезис
Coll. – colloquial – другие маркеры разговорного стиля
Con. – contraction – сокращение
E. – epithet – эпитет
E. conj. - conjunction with emphatic function – союз с эмфатической функцией
El. – ellipse – эллипсис
Excl. – exclamation – восклицание
Gram.d. – grammatical deviation – грамматическая девиация
Graph. d. – graphological deviation – графологическое отклонение
Int. – interjection – междометие
M. – metaphor – метафора
On. - onomatopoeia – звукоподражание
Ox. – oxymoron – оксюморон
P – parallel constructions – параллельные конструкции
PhV – phrasal verb – фразовый глагол
RQu – rhetorical question – риторический вопрос
R. – repetition – лексический повтор








Стилистический анализ отрывка из рассказа «Кошка под дождем»


Graph.d.


Apos.




M.
Apos.
Apos.El.

Excl.
Apos.
Con.

Apos.Coll.
Apos.
Con.
PhV.
Coll. Con.
Coll.
PhV.M.
Con.
Coll.
Con.

PhV.

PhV.
Coll. PhV.
Con.
Graph.d.
Apos.Con.
Con.


PhV.
PhV.


Graph.d.

There were only two Americans stopping at the hotel. They did not know any of the people they passed on
the stairs on their way to and from their room. Their room was on the second floor facing the sea. It also faced
the public garden and the war monument. There were big palms and green benches in the public garden.
In the good weather there was always an artist with his easel. Artists liked the way the palms grew and the
bright colors of the hotels facing the gardens and the sea.
Italians came from a long way off to look up at the war monument. It was made of bronze and glistened in
the rain. It was raining. The rain dripped from the palm trees. Water stood in pools on the gravel paths. The sea
broke in a long line in the rain and slipped back down the beach to come up and break again in a long line in the
rain. The motor cars were gone from the square by the war monument. Across the square in the doorway of the
cafe a waiter stood looking out at the empty square.
The American wife stood at the window looking out. Outside right under their window a cat was crouched
under one of the dripping green tables. The cat was trying to make herself so compact that she would not be
dripped on.
‘I’m going down and get that kitty,’ the American wife said.
‘I’ll do it,’ her husband offered from the bed.
‘No, I’ll get it. The poor kitty out trying to keep dry under a table.’
The husband went on reading, lying propped up with the two pillows at the foot of the bed.
‘Don’t get wet,’ he said.
The wife went downstairs and the hotel owner stood up and bowed to her as she passed the office. His desk
was at the far end of the office. He was an old man and very tall.
‘Il piove,1’the wife said. She liked the hotel-keeper.
‘Si, Si, Signora, brutto tempo2. It is very bad weather.’
He stood behind his desk in the far end of the dim room. The wife liked him. She liked the deadly serious
way he received any complaints. She liked his dignity. She liked the way he wanted to serve her. She liked the
way he felt about being a hotel-keeper. She liked his old, heavy face and big hands.
Liking him she opened the door and looked out. It was raining harder. A man in a rubber cape was crossing
the empty square to the cafe. The cat would be around to the right. Perhaps she could go along under the eaves.
As she stood in the doorway an umbrella opened behind her. It was the maid who looked after their room.
‘You must not get wet,’ she smiled, speaking Italian. Of course, the hotel-keeper had sent her.
With the maid holding the umbrella over her, she walked along the gravel path until she was under their
window. The table was there, washed bright green in the rain, but the cat was gone. She was suddenly
disappointed. The maid looked up at her.
‘Ha perduto qualque cosa, Signora?’3
‘There was a cat,’ said the American girl.
‘A cat?’
‘Si, il gatto.’
‘A cat?’ the maid laughed. ‘A cat in the rain?’
‘Yes, –’ she said, ‘under the table.’ Then, ‘Oh, I wanted it so much. I wanted a kitty.’
When she talked English the maid’s face tightened.
‘Come, Signora,’ she said. ‘We must get back inside. You will be wet.’
‘I suppose so,’ said the American girl.
1


P.R.




A.


E.





E.

E.A.
IntRQu E.c
E.El.
On.A.Excl.


P.

El.A.

R.E.conj.

Coll.R.
Coll. Con.


Ох.

A.
P.


A.
R.























Стилистический анализ отрывка из романа «Великий Гетсби»

Graph.d.





Apos.
Coll.
Apos.


Apos.Coll.
Apos.Coll.
Apos.M.
Apos.
Apos.El.

Excl.
Apos.
Con.

Apos.Coll.
Apos.
Con.
PhV.
Coll. Con.
Coll.
PhV.M.
Con.
Coll.
Con.

PhV.

PhV.
Coll. PhV.
Con.
Graph.d.
Apos.Con.
Con.


PhV.
PhV.


Graph.d.
Coll.

El.

Coll.
Coll.

Apos.PhV.
Tom Buchanan is one of the main representatives of that society, a sturdy straw-haired man, hard mouth, shining arrogant eyes, enormous power, enormous leverage, a cruel body, a gruff husky tenor” characterize his appearance. Tom Buchanan compelled me from the room as though he were moving a checker to another square”. There is also an irony here to emphasize how strong Tom was. For him as for many people of that society it is very important to know the ancestors of a wealthy person to judge him; he didn’t know anything about Gatsby and called him Mr. Nobody from Nowhere” unfolding periphrasis. It is interesting to trace his attitude to women. I may be old-fashioned in my ideas, but women run around too much these days to suit me”. Talking about women’s mind he said: “They meet all kinds of crazy fish” using metaphor.
When the author describes Daisy, Tom’s wife, he very often describes her face as a part of her appearance and laugh as her most common behavior: “sad and lovely face, bright eyes and a bright passionate mouth; her sweet exciting laugh, an absurd charming little laugh. This creates the image of thoughtless silly woman; all that she possesses is her appearance; she laughs because she doesn’t know what to say. I think that this is her mask for that “party” called her life. She called herself “pretty cynical about everything”. When she was 18 she sincerely loved a young lieutenant James Gats the author unfolds simile to prove it “she blossomed for him like a flower”. However she could not be with him because needed a wealthy man to merry. Her family demanded it. Before her wedding her friend Jordan saw her “as drunk as a monkey”. Her reputation was of no importance for her at that time. But gradually she understood that people in her society were not free, they played written roles. She said to Nick about her little daughter: “And I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little fool”. When she met Gatsby again she was another person. The author uses metaphor describing her: “Her voice is full of money”. Temporarily she remembered her feelings and author says using paradox: “I knew that except for the thirty minutes she’d been alone with Gatsby she wasn’t having a good time” (speaking about Gatsby’s party where she had been with her husband). At the end when she had a choice to stay with Tom or leave him and be with Gatsby she could not trust her feelings and decided to keep everything at its place, even though she might regret about it.
The character that gave name to this novel James Gatsby is one of the main characters of it. First of all I want to pay attention at the title of the novel. Why is Gatsby called “great”? Gatsby’s mansion was a masterpiece of luxurious life “The one on my right was a colossal affair by any standard – it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more that forty acres of lawn and garden. It was Gatsby’s mansion”. But the motion power that kept him going was not a pure desire to capitalize on, but it was a desire to revive his romantic relationships with Daisy and make a brand new start as he said “I’m going to fix everything just the way it was before, stopped in a thick drizzle beside the gate”, “the rain poured down”.
E.



E.conj.



Р.







R.А.E.
E.A.R.




Ox..


All.Irony
R.
E.conj.

E.A.
R.E.E.

Coll.
P.
R.

R.
El.A.

R.E.conj.

Coll.R.
Coll. Con.
P.Ох.

A.
P.


A.
R.

P.

Excl. R.A.
R.
A.
On.Grph.d.












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